Monday, April 1, 2013

A Visit to the Topkapi Palace

When Irene and I reviewed the images from our visit to the Topkapi Palace, we found few of building exteriors, many partial interiors, especially artistic details, and lots of flowers. Usually, I photograph details and patterns and Irene tells a story with images; but this time our results are similar. In retrospect, I think they reflect the subject matter. Other than the gates, towers, lawn and flowers and a few decorative features the building exteriors are relatively plain; but the interiors house beatiful craftsmanship and remarkable artifacts. Unfortunately, photography was prohibited in many interiors and artifact displays. We have merged our photos to show you what struck our fancy.

We had a long walk behind the Hagia Sophia to get to the Topkapi Palace visitors entrance.  
Along the way, we saw this man having his shoes shined.  I was fascinated by the brass stand used for shoe shines in Istanbul.
 


A little further along, we spotted this bride and groom posing for wedding photos at a gate in the Hagia Sophia wall.  Later we would see them getting a few more poses in one of the Palace Courtyards.



This is a detail of a part of the Hagia Sophia external wall.


We continued up Sogukcesme Street with the Hagia Sophia on our right and the Topkapi Palace wall on our left.  About a dozen small, modern homes have been built along the way using the Palace wall as their back wall.  This photo shows two of them, each with an exterior spiral staircase.


This fountain decorated one garden.


Flowers lined the street.



Finally, we entered the First Courtyard of the Topkapi Palace through the Imperial Gate.



When we looked back, we had a good view of the Hagia Sophia.


On our left in the Courtyard, was the Hagia Irene, the main church of Constantinople until the Hagia Sophia was completed in 537.
The name means "Divine Peace." In Greek mythology, Irene was the goddess of peace.



This detail from the the wall of Hagia Irene illustrates many centuries of repairing and rebuilding/



Red tulips brightened the entire First Courtyard.







Throngs were lined up to enter the Second Courtyard.



If you want to see some of the parade of humanity, there is a video at the end of the post.



The oval plaque contains the signature of the "builder,"
Mehmet the Conqueror.



An exhibit further on featured numerous stone plaques, like this one, with his carved signature.



As we entered the gate , we encountered the Divan Tower .



The Second and Third Courtyards were decorated with masses of hyacinths and tall evergreens
.







The interiors of many of the living quarters contained stunning mosaics and handsome windows.


















A handsome fountain sat on an outside deck.



A gatehouse looked out onto the Bosphorous.





We focused on some of the mosaic details. . .









 this detail of a porch ceiling



and the outdoor details of the Divan entrance.





On our way out, we passed these tiles from more recents times.




We stopped inside the Imperial Gate to photograph the ceiling



and Irene spotted another bride and groom.



She followed them out to get one last picture.




Saturday, March 30, 2013

Basilicia Cistern

Turks call it Yerebatan Sarayi (yeh-reh-bah-tahn sah-rah-yuh) which means "sunken palace". Because it was built on the site of an earlier basilica it is often called the "Basilica Cistern"

This vast underground reservoir dates back to Byzantine Emperor Justinian's reign in the sixth century A.D.




Built to supply Constantinople's need for water, this giant reservoir was big enough to hold 27 million gallons of fresh water. Clay pipes and aqueducts brought water 12 miles to the reservoir.




The cistern is as big as two football fields sand has 336 columns, most recycled from Roman ruins in the city, resulting in a variety of capitals.



Today the cistern is a shallow pond, filled with rain water that seeps through the ceiling (and down on your head). The walk around was fascinating with the soft lighting and reflections

There are good-luck coins and fish, too


Startlingly, a medusa heads is found at the base of two separate columns. Speculation is that the architect needed two blocks of a certain height to go with two columns of a certain height and recycled the medusas. 
I'm sure the architect never imagined millions of tourists walking around the cistern looking at an upside-down medusa head! The other head is on its side.


Next door to the cistern in the Medusa Restaurant--head right side up!